Everything about Trag Die En Musique totally explained
Tragédie en musique (French lyric tragedy), also known as
tragédie lyrique, is a genre of
French opera introduced by
Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from
Classical mythology or the Italian romantic epics of
Tasso and
Ariosto. The stories may not have a tragic ending - in fact, they generally don't - but the atmosphere must be noble and elevated. The standard
tragédie en musique has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of
Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (
petits airs), in which the main business of the plot occurs. Each act traditionally ends with a
divertissement, offering great opportunities for the chorus and the ballet troupe. Composers sometimes changed the order of these features in an act for dramatic reasons.
Notable examples of the genre
Apart from Lully, the most considerable writer of
tragédies en musique is
Rameau, whose five works in the form are considered the culminating masterpieces of the genre. The
Viking Opera Guide refers to
Marc-Antoine Charpentier's
tragédie Médée as
"arguably the finest French opera of the seventeenth century". In the eighteenth century,
Jean-Marie Leclair's lone
tragédie Scylla et Glaucus has been similarly praised. Other highly esteemed exponents are
André Campra (
Tancrède,
Idoménée),
Marin Marais (
Alcyone) and
Michel Pignolet de Montéclair (
Jephté).
List of works in this genre
Works by Lully's sons
Orontée (1688) (by Jean-Louis Lully and Paolo Francesco Lorenzani)
Orphée (1690) (by Louis and Jean-Baptiste the Younger)
Alcide (by Louis Lully and Marin Marais)
Thétis et Pelée (1689)
Énée et Lavinie (1691)
Jason, ou la toison d'or (1696)
Canente (1700)
Polyxène et Pirrhus (1706)
David et Jonathas (1688)
Médée (1693)
Didon (1693)
Circé (1694)
Théagène et Chariclée (1695)
Vénus et Adonis (1697)
Iphigénie en Tauride (1704, completed by Campra)
Renaud ou la suite d'Armide (1722)
Alcide (1693) (with Lully's son, Louis)
Ariane et Bacchus (1696)
Alcyone (1706)
Semelé (1709)
Céphale et Procris (1694)
Méduse (1697)
Hypermnestre (1716)
Amadis de Grèce (1699)
Omphale (1701)
Callirhoé (1712)
Hésione (1700)
Tancrède (1702)
Alcine (1705)
Hippodamie (1708)
Idoménée (1712)
Télèphe (1713)
Camille, Reine des Volsques (1717)
Ulysse (1702)
Médus, Roi des Mèdes (1702)
Philomèle (1705)
Bradamante (1707)
Créuse l'Athénienne (1712)
Télégone (1725)
Orion (1728)
Byblis (1732)
Cassandre (1706) (with François Bouvard)
Diomède (1710)
Ajax (1712)
Médée et Jason (1713)
Théonoé (1715)
Arion (1714)
Ariane (1717)
Pirithoüs (1723)
Pirame et Thisbé (1726)
Tarsis et Zélie (1728)
Scanderberg (1735)
Pyrrhus (1730)
Jephté (1732)
Hippolyte et Aricie (1733)
Castor et Pollux (1737)
Dardanus (1739)
Zoroastre (1749)
Les Boréades (1764)
Nitetis (1741)
Jupiter, Vainqueur des Titans (1745) (with Bernard de Bury)
Scylla et Glaucus (1746)
Léandre et Héro (1750)
Hercule mourant (1761)
Polyxène (1763)
Thésée (1765)Further Information
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